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Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 7  

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Resource details

Resource ID

15

Access

Open

Contributed by

The February Journal

Other

underground culture, music, perestroika, archive, Soviet unofficial art, video

Named person(s)

Irina Gakhova

Date

16 June 2025

Credit

Irina Gakhova, The Garage Journal

Caption

This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well.

Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010

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  • The February Journal is an independent interdisciplinary academic publication that is peer-reviewed and available in diamond open access. It presents empirical, theoretical, and speculative research that uses decentering, queer, feminist, decolonial, and autotheoretical methodologies to address urgent cultural, social, and political questions. The journal understands knowledge holistically and seeks to integrate artistic and activist work into academic practice. Open to professionals of all career levels, it puts special effort into helping less experienced authors publish their research. The journal also welcomes work in a variety of genres, celebrating innovative ways of presentation. It is a venue for scholars and students of humanities and social sciences, visual arts, and crossovers from the natural sciences.

    The journal is published by Berlin Universities Publishing (BerlinUP). BerlinUP is an open access publisher with a non-commercial, scholar-owned infrastructure and with general, publisher-independent publication consultation service. It is jointly supported by the libraries of Freie Universität Berlin, Humboldt-Universität zu Berlin, Technische Universität Berlin, and Charité – Universitätsmedizin Berlin.

    e-mail: info@thefebruaryjournal.org

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