https://rs.cms.hu-berlin.de/tfj/pages/home.php 1.0 daily https://rs.cms.hu-berlin.de/tfj/pages/search.php?search=!collection10 0.9 daily 2025-03-21T17:40:31Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=3 0.8 weekly 2025-06-16T17:40:53Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=3&preview=1&skey=90047c1cec46518fb75610e2540155a9 The Making of Voids (2021) So WP (2021) The Making of Voids (2021). The Garage Journal: Studies in Art, Museums & Culture, 02: 176-180. https://thefebruaryjournal.org/index.php/tgj/article/view/30 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=3&key=HpzMbedI6nCQLORS2TFYGUSwAAHQUjKHzWutR6wpbkIikIBnnal3lD7b26eeGFoGwEQUTw,,&skey=bdae0cd59285fd67ded26d5ddc8d61ac 2025-03-28T23:43:01+01:00 contemporary art artwork fermentation hong kong medicine myrobalans research coronavirus no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=5 0.8 weekly 2025-06-11T08:05:42Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=6 0.8 weekly 2025-06-13T21:50:06Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=7 0.8 weekly 2025-06-16T16:59:55Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=8 0.8 weekly 2025-10-20T13:24:51Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=9 0.8 weekly 2025-06-16T18:00:14Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=9&preview=1&skey=36ffff863523e10aa02bf497d59eca59 Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 1 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=9&key=9x3HYMKK60dC4EWwuoF1g37_26vFF944IShXoNlIa_dW5U3N5ovolzDlHq0QSZHvMLAx5Q,,&skey=b01dddfb022ac4e79a8223e95279d7fe 2025-06-16T17:40:59+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=10 0.8 weekly 2025-06-16T18:02:55Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=10&preview=1&skey=66efd9123f7b60e773310beb8f30112f Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 2 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=10&key=5nXIpClif0l1F54EEBBJsqB0irs0K07TT63cBiw260LYKzZZYuLcx1mHHRAizPolEIs6Mw,,&skey=4011dca521969bad488e5272f49d5b27 2025-06-16T17:51:31+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=11 0.8 weekly 2025-06-16T18:12:16Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=11&preview=1&skey=e4c41b2828a8b62ca9223e721ce4cb26 Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 3 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=11&key=UOJrz_iXk7ojetFJlRzSGKxCcupn_hLXN9q_DK1t5_FeIK7JaEJqizZksqrpDXApSMprMw,,&skey=2b05d6e62aa544aefe53c89c4c548925 2025-06-16T17:52:56+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=12 0.8 weekly 2025-10-12T18:31:15Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=12&preview=1&skey=70034619f3caaca04a0a9a4848d3144c Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 4 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=12&key=78NqVdYKLd8HR6yNG3Ws4GtRykoIOIKSjSfDyPKdzJfk-J5I7A0op1Ssm-7cwbCgY-C76Q,,&skey=0bd9ac146c50beba66dc678f1e9c24a3 2025-06-16T17:53:41+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=13 0.8 weekly 2025-06-16T18:17:08Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=13&preview=1&skey=b5cea469911955ed37a5ef0eb572150f Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 5 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=13&key=GBfc_rswdV4lY1EqkVtwyHV_NH3obnD7GuYVxkZArRpOgOKeFQsQQLgYSAWmLjhyQW8RGA,,&skey=9dc32034c2bdc466875b12971519b5ff 2025-06-16T17:54:18+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=14 0.8 weekly 2025-06-16T18:58:00Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=14&preview=1&skey=ff5bd172c66c87bb954afac805f0357c Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 6 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=14&key=L20rudbBNyxvgqOgMjwrakMP4sQBuwyVwtk0fyO1itM4vQCyvgFkMHjX40dYaza-Ti6usg,,&skey=9fd19211a790b6e9fd997f6b062f9b4b 2025-06-16T17:55:15+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=15 0.8 weekly 2025-06-16T18:59:44Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=15&preview=1&skey=f91d2db73a97dcfb6a0a24ae7579b269 Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 7 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=15&key=wgAZ1vFAsJxhhAvwJ2kwki8R1k3Rn-lrfeg7o1G2-M109-6UYIFOWR-r0AbG-6C2Gu0O-Q,,&skey=6402be588aaa85d13991c4397709cfd5 2025-06-16T17:56:03+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=16 0.8 weekly 2025-06-16T19:00:58Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=16&preview=1&skey=b7da172f94475979d0f35078d16ab070 Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 8 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=16&key=xDiLs4MeZOCRmNaXewQQ1UOp7o8POoTJZFqwYZ1zHc8S5TjARTifn-T9UJpZJZjcHqOPrA,,&skey=b2b9e7acb96663486ad8f8877cbb3d2a 2025-06-16T17:57:20+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=17 0.8 weekly 2025-06-16T19:02:24Z https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=17&preview=1&skey=8766ca5285774ba17c4a2d4592870c55 Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection: Video 9 This experimental essay, a set of TikTok videos, focuses on the video archives of Sergey Borisov, a photographer and a chronicler of the Russian unofficial art culture of the perestroika and later period. The problems raised in this essay have to do with the reflections concerning the role of documentary musical video recordings (concerts of Kino, Nautilus Pompilius, Punk festivals etc.) in the modern Russian museum discourse, in the context of the tight links between the musical underground and visual artists in Russia. The archives also include the records of the seminal Russian art events: Art against Commerce in Bitsevsky Park (1986), the first Sotheby auction in the USSR (1988), the first Moscow screening of Assa by Sergey Soloviev (1988), the legendary actionized exhibition in Sandunovsky Banya (Bathhouse), organized by KLAVA Vanguard Club, and others. Since these archival records are, essentially, object-related metadata, they are of highest value not only as sources for research work, but as museum exhibits as well. Cite as Gakhova I (2021) Rock, Banya, Museum. A Survey of Sergey Borisov’s Video Archives from Garage Archive Collection. The Garage Journal: Studies in Art, Museums & Culture, 04: 134–137. DOI: 10.35074/GJ.2021.44.88.010 https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=17&key=BoAmOPCxPjxSnYV5Oi7pISD_rvVcViQH1pOKp_RGL3ri3VRArH0YmR94R3Eh5LMdKe3sEA,,&skey=77fb5ffebcefbc49211e41bcd4308abd 2025-06-16T17:58:08+02:00 underground culture music perestroika archive soviet unofficial art video no https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=21 0.8 weekly 2025-10-09T17:32:31Z debug("after fields"); Figure 1_COLLABORATORS_DANCE_HKW newspaper version https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=21&key=o6lwOxLTyDE9IViEDNsT7skxzZ6g6NBnW_kWTTCaZLr30uz-1rdEP3F5j3rvGFcGy-KGSA,,&skey=41024a865139791bc2f944a5cfb60cc8 Figure 1. Moses März, Collaborators Dance, 2025. © All rights reserved, courtesy of the author. France, French Guyana https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=22 0.8 weekly 2025-10-09T17:37:04Z debug("after fields"); Figure 2_LEON DAMAS_edited version https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=22&key=-XpXbmunaiOXEuVImwKwapR6CK55jyGcNyRCsv8uZS9dZwyiYSSaY2x0q8nuz9W-DtUf2w,,&skey=6db4fde52e28e1c6d3cb7dc0bb4a3f4e Figure 2. Moses März, Je suis Damas n**** de personne!, 2021. © All rights reserved, courtesy of the artist. France, French Guyana https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=23 0.8 weekly 2025-10-12T18:26:46Z debug("after fields"); Figure 3_COLLABORATORS_DANCE_detail https://rs.cms.hu-berlin.de/tfj/plugins/api_resource/?ref=23&key=I4-yh1ZfF2xsi2ZGXZ7hK7jofs8UpxjkMlYYTurWENSACWtSOmxx6kMUufpfVGIq3gd7iw,,&skey=aecbee6e174895428fdf935d3df79e4b Figure 3. Moses März, detail of Collaborators Dance, 2025. © All rights reserved, courtesy of the artist. France, French Guyana https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=24 0.8 weekly 2025-10-20T13:34:21Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=25 0.8 weekly 2026-03-24T11:37:42Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=26 0.8 weekly 2026-03-24T17:18:24Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=27 0.8 weekly 2026-03-24T17:18:46Z https://rs.cms.hu-berlin.de/tfj/pages/view.php?ref=28 0.8 weekly 2026-03-24T17:18:48Z