https://rs.cms.hu-berlin.de/portablemedia/pages/home.php 1.0 daily https://rs.cms.hu-berlin.de/portablemedia/pages/search.php?search=!collection5 0.9 daily 2014-02-27T10:29:37Z https://rs.cms.hu-berlin.de/portablemedia/pages/search.php?search=!collection6 0.9 daily 2014-01-10T12:56:24Z https://rs.cms.hu-berlin.de/portablemedia/pages/search.php?search=!collection9 0.9 daily 2014-01-06T11:28:07Z https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=4 0.8 weekly 2014-04-10T12:45:04Z https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=4&preview=1&skey=a6310d5af733f5e3e6faaa67615afdb4 in/móvil - Im/mobile Super 8 mm film https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=4&key=q5ISBdyy0z1HRCDspfk-J2N8QHyTDoHNcao0yXdZ09f2Co8mfARdfsSHcwNK0TrpWvu1rg,,&skey=6a6237c9e2aa9cd6d24844aee2d76f52 2014-04-10T12:44:04+02:00 super 8 film hegel fish diy no https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=5 0.8 weekly 2014-04-10T12:39:42Z https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=5&preview=1&skey=579052e9787bcd9ee9f5cecf983395b9 19.2ºE Analogue television is dead. 19.2ºE is a video gravestone to the direct-to-home European analogue television. High above the Earth's equator in the Clarke Belt, at 35,786km orbits a cluster of communication satellites known as Astra 19.2ºE. The Astra satellites started broadcasting analogue direct-to-home television to Europe in 1988. The switchover to digital broadcasting started in 2001 and lasted 11 years. This change faced no resistance and nobody lamented the demise of analogue TV. On 1 May 2012 at 01:30, the last analogue TV-signal was transmitted on the ASTRA 19.2ºE. Afterwards all TV broadcasting in Europe has been completely digital. 19.2ºE shows the warning left on the analogue channel to the German TV audience. The message is as laconic as promising: “Digital television offers more programming in better quality.” In 14min that image is aggressively dissolved and damaged through analogue video editing techniques. I inserted a series of texts that report when and which channel left its analogue frequency. Eurosports, one of the firsts to broadcast on satellite, was the last to close down its analogue transmission. At the end noise and blackness are on the screen. This work mixes technical media of the same kind but stemming from different times: a 1984 VCR, a video mixer and a character generator from the end of the 1990s, a 1998 TV set, and a recording of a broadcast from 2012. This mix produces a technical art assemblage that spans over 28 years. Text by Ricardo Cedeño Montaña MSc. PhD candidate Institut für Kulturwissenschaft Humboldt-Universität zu Berlin. https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=5&key=gnCMjpu6XpeVrclJF5xYte3gQf3n0QClYerIKtFKGcUiBaiTp0QlDclrosR3Mm1GDf_UJA,,&skey=94717d13e3815aff5e976014b271dded 2014-04-10T12:39:26+02:00 video8 video television analogue analog satellite 19 19 2 east no https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=7 0.8 weekly 2014-04-10T12:37:26Z https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=7&preview=1&skey=48ef4f1f526af19e49a50ed3c8b03b32 (Auto-)retrato. (Self-)portrait (Auto-)retrato: 100 fragmentos de mi mismo The promise of classical portraiture is the possibility of an encounter with a person or at least its persona, oscillating between empathy and distance, recognition and strangeness, liveliness and rigidity, instantaneity and timelessness. This promise is reneged on by Cedeño Montaña’s (Auto-)retrato. It consists of flickering stripes that gradually form a phantasmal face, distorted almost beyond recognition. The image is the digital montage of 100 videos taken by friends and strangers, who were asked to portray the artist according to specific parameters. A stencil compelled the sitter to relative immobility albeit allowing for a conversation. The immediacy of the encounter, however, is relegated by the omission of sound and the process of fragmentation. Cedeño Montaña thus shifts the focus from the portrayed to the (technically mediated) interrelation to the other. What we see, is a face contemplated by 100 people over a span of time – or 100 faces at one glance. But instead of simply rising questions of identity, the work asks for the conditions of portraiture in the present age. The final cut is a hybrid between static and moving images, photomontage and video. The image is not only multiperspectival but also merges heterogeneous temporalities: the time of shooting, the time span from the first to the last video, and the duration of the video. By synchronzising the asynchronous, the portrait turns into an image-temps, defying face-to-face encounters. Text by Dr. des. Jasmin Mersmann Humboldt-Universität zu Berlin Institut für Kulturwissenschaft https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=7&key=H07mJ76tLmicp28Umw0tHvG-5Z4syHYQBTwDasmfcGtxy64l-ycl3Yl8PnIbe7mehkM9bw,,&skey=565bf60bb923f8103ba2dd0eab2e2d11 2014-04-10T12:36:34+02:00 portrait digital mpeg mpeg 4 mobile cell cell phone cellular camera phone camera no https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=8 0.8 weekly 2013-12-15T18:01:20Z https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=10 0.8 weekly 2013-12-15T18:09:15Z https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=11 0.8 weekly 2013-12-15T18:24:46Z https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=11&preview=1&skey=4e7822a3079bf3e83e9f1a20195b9ccc documentation (Auto-)retrato: 100 fragementos de mi mismo https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=11&key=IkDO_JLoqs8bRQqoMShj2JQ9GK1TJj5yLQ0sikrlEtjTgqmBHhOKT_yhUzfr2eX_u52yzQ,,&skey=5b0432b126210944be4cc41b81499b5b 2014-02-18T14:45:40+01:00 portrait digital pure data mobile cell phone no https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=12 0.8 weekly 2013-12-27T11:27:20Z debug("after fields"); DIY https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=12&key=AnRmr2NwZX-PmGPIyvt9ZO3Ka7cNBnsw8g0_Rib2ZqxqjpZ13bVb4LuMYrSJv7i1uOnI1w,,&skey=20b2278e715139fbeac96a594c21a27a how-to http://creativecommons.org/licenses/by-nc-sa/4.0/ https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=13 0.8 weekly 2013-12-27T11:35:20Z debug("after fields"); infographics https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=13&key=1akfV4lZKzjr4jsIryZg0qT4KpaBJIHwOZ7ruzboHq2VFjCitupQyn4BWqwQS9GrYJu54g,,&skey=643745e1ad85a39bb38afc0d2525c794 data visualization http://creativecommons.org/licenses/by-nc-sa/4.0/ https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=14 0.8 weekly 2014-01-06T11:31:15Z debug("after fields"); infographics https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=14&key=VqbX2ah_EZxMgb_eTlvqOD1ODnwluTO1HO0LOzu3IHqrlS236rIYZYcSi3XmL01p9W3WUA,,&skey=7722260a772a0200ce55e3ac4efd81fa Chronologies of moving images formats http://creativecommons.org/licenses/by-nc-sa/4.0/ https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=15 0.8 weekly 2014-04-03T12:58:17Z https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=16 0.8 weekly 2014-01-22T12:33:27Z https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=16&preview=1&skey=ab89948dae8c4056b3ee8b928566cbe6 Opening Opening of the exhibition 10 January 2014. Berlin, Germany https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=16&key=Drxtl30ogvon7p9lqaCG_dXYjyxKiFyWWvchwv1X2dpnyRuN4aOJvvQiT0FhYiE4tm0Dxw,,&skey=58d150358db10de140a3dce88bdf9943 2014-01-22T12:33:29+01:00 opening exhibition no https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=17 0.8 weekly 2014-02-24T17:38:20Z https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=17&preview=1&skey=3a067d6fe3b4115a1862b24f8bfd933b On the Move | Image Algorithm Frieder Nake. On the Move | Image Algorithm. 03 February 2014. Humboldt-Universität zu Berlin. Berlin, Germany. https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=17&key=ZuS7pQbo81KL4E1OhId86TlKZUDbVVUoPSwfLXf9eIXOaW49hTt_FyDP074_5aF66C50RA,,&skey=cc7b609ea8bcf59c1886210f27202601 2014-02-24T17:38:16+01:00 exhibition frieder nake algorithms image art history early computer graphics no https://rs.cms.hu-berlin.de/portablemedia/pages/view.php?ref=18 0.8 weekly 2014-02-27T10:29:42Z https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=18&preview=1&skey=fb3e2c422c888ee073f0e7dab66f8e78 Portable Storage: chargers, cartridges, cassettes Ricardo Cedeño Montaña. Portable Storage: Chargers, Cartridges, Cassettes. 14 February 2014. Humboldt-Universität zu Berlin. Berlin, Germany. https://rs.cms.hu-berlin.de/portablemedia/plugins/api_resource/?ref=18&key=gBRI0Oc1Lt_bwJhPaC41obrczQZHqzQVyWo9Ei8XFaknxiYh27buRLwFPiLiglEy2kQivg,,&skey=a9b6c4f2afb13a3d3dd51aeb853a7dc2 2014-02-27T10:29:39+01:00 exhibition ricardo cedeño montaña film video cassette cartridge history storage technical media material culture no